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| Dianne Nora |
“I have faith in people and I can’t seem to shake it.”
This is a fascinating brain experiment, to cast the idea of a woman about whom we have the most intimate knowledge, but about whom most people know absolutely nothing.
In that, this fictional version of Monica Lewinsky becomes an everywoman. Some suffer their abusers in private, others on full display, and the real Lewinsky is one of the most public examples of that.
But this play is not about her specifically, but every woman’s journey toward feeling whole, to having a heart (as is described so poetically in the denouement) that can heal itself.
Nora’s narrative jumps back and forth in time with a dry wit, passion, and alacrity. It is an experiment which determines its thesis.
Nora’s narrative jumps back and forth in time with a dry wit, passion, and alacrity. It is an experiment which determines its thesis.
Who should I read tomorrow?
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