Last night my wife Toni and I held an open house to commemorate our twenty-fifth wedding anniversary. After some day-before jitters as to whether or not to postpone due to rain, we were rewarded (after a one-hour start delay) with a beautiful evening outdoors, surrounded by family and friends both old and new.
As I reflected to the crowd, so many of those in attendance were folks we have met along the way, since we were wed in 1999. There were three present who had attended the wedding or reception (many others had sent their regards) other guests we had met over the past quarter-century though work, theater, the local schools, and of course, own children.
The big event was the unsealing of the time capsule, which we had packed with items commemorating the year of our marriage, and our place in it. The capsule (a can, really) itself was a wedding gift, and we filled and closed it on our first anniversary on June 26, 2000. As I had taken it down from a high shelf in our bedroom, I was surprised at how heavy it was. That is because it was filled mostly with paper.
Newspapers, magazines and photocopies. An entire Plain Dealer from our wedding day, front pages from the first day of the new century, a paper copy of The Onion, LIFE Magazine’s Year in Pictures edition, SPIN’s 90 Best Albums of the 90’s. Also, programs from Bad Epitaph plays I had directed, and articles from the Free Times she had written.
Whatever happened to my script from The Drew Carey Show? I put it in the capsule.
Then there were letters, from absent friends, family, some we’ve lost along the way. And yes, the compact disc 1. For which we do have a player and 2. That actually played. Guests were invited to listen in to voices from December 1999, at a dinner party and again at the huge 20th Century Revival Party we held for NYE Y2K. There were surprises, and even a few tears.
It was a beautiful evening. Since our youngest went away to school, my wife and I have been doing more than our usual share of traveling, and most recently celebrating this milestone in our life together. But it was a significant and moving experience to be able to share this love with so many whom we call friends.
Thursday, June 27, 2024
Saturday, June 15, 2024
The Toothpaste Millionaire (references)
One of the first questions I was asked when preparing to adapt Jean Merrill's The Toothpaste Millionaire into a play script was whether or not I would update the story to 2024. It hadn't even crossed my mind, and I think that was the right call. You could do it, but then it would be an entirely different story.
My adaptation includes allusions to people, places and things from that time, and before we entered rehearsal, I created this brief list of references, many of which are edited from Wikipedia entries.
David Cassidy (April 12, 1950 – November 21, 2017) was an American actor and musician. He was best known for his role as Keith Partridge in the 1970s musical-sitcom The Partridge Family. This role catapulted Cassidy to teen idol status as a superstar pop singer of the 1970s.
Teen Beat was an American magazine geared towards teenaged readers, published 1967–c. 2007.
The Whole Earth Catalog was an American counterculture magazine and product catalog published several times a year between 1968 and 1972, and occasionally thereafter, until 1998. The editorial focus was on self-sufficiency, ecology, alternative education, "do it yourself" (DIY), and holism, and featured the slogan "access to tools".
The Morning Exchange is an American morning television program that aired on WEWS-TV (channel 5) in Cleveland, Ohio from 1972 to 1999. A highly rated and influential program, it was commonplace that on a typical day in the 1970s, over two-thirds of all television sets in the Cleveland market were tuned to The Morning Exchange.
Monopoly is a multiplayer economics-themed board game. In the game, players roll two dice to move around the game board, buying and trading properties and developing them with houses and hotels. Players collect rent from their opponents and aim to drive them into bankruptcy.
WIXY 1260. On December 12, 1965, this AM station changed its call sign to WIXY, branding itself as WIXY 1260 (pronounced "Wicksy Twelve-Sixty"). WIXY soon began to dominate Top-40 radio in Cleveland, despite having a weaker signal than either WKYC (formerly KYW) or WHK. What an AM radio announcer sounded like in 1970.
"O-o-h Child" is a 1970 single, written by Stan Vincent, recorded by Chicago soul family group the Five Stairsteps and released on the Buddah label.
“It’s the Real Thing!” (Coca-Cola)
“Try It! You’ll Like It!” (Alka Seltzer)
“You Deserve a Break Today!” (McDonald’s)
Super 8mm (millimeter) film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
The Clean Water Act of 1972 is the primary federal law in the United States governing water pollution, and was signed into law by President Nixon.
1969 Cuyahoga River Fire. A June 22, 1969 river fire triggered by a spark from a passing rail car igniting an oil slick. It was not considered a major news story in the Cleveland media. However, the incident did soon garner the attention of Time magazine in an article on the pollution of America's waterways.
Right: Cuyahoga River in 1967
Walter Cronkite (November 4, 1916 – July 17, 2009) was an American broadcast journalist who served as anchorman for the CBS Evening News for 19 years, from 1962 to 1981. He was often cited as "the most trusted man in America."
The Lunar Roving Vehicle was a battery-powered four-wheeled rover used on the Moon during the last three missions of the American Apollo program (15, 16, and 17) during 1971 and 1972.
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone.
Stouffer's Inn on the Square (now Hotel Cleveland) is an historic hotel at the intersection of Superior Ave. at Public Square.
Instead, I treated this book from 1972 as a period piece, and not only that, a city-specific piece, the events that occur centered in the very real suburb of East Cleveland.
The kids from ZOOM |
Zoom (stylized as ZOOM) is a half-hour educational television program, created almost entirely by children, which aired on PBS originally from January 9, 1972, to February 10, 1978, with reruns being shown until September 12, 1980. It was originated and produced by WGBH-TV in Boston.
David Cassidy (April 12, 1950 – November 21, 2017) was an American actor and musician. He was best known for his role as Keith Partridge in the 1970s musical-sitcom The Partridge Family. This role catapulted Cassidy to teen idol status as a superstar pop singer of the 1970s.
Teen Beat was an American magazine geared towards teenaged readers, published 1967–c. 2007.
The Whole Earth Catalog was an American counterculture magazine and product catalog published several times a year between 1968 and 1972, and occasionally thereafter, until 1998. The editorial focus was on self-sufficiency, ecology, alternative education, "do it yourself" (DIY), and holism, and featured the slogan "access to tools".
The Morning Exchange is an American morning television program that aired on WEWS-TV (channel 5) in Cleveland, Ohio from 1972 to 1999. A highly rated and influential program, it was commonplace that on a typical day in the 1970s, over two-thirds of all television sets in the Cleveland market were tuned to The Morning Exchange.
Quincy Brame & Kierstan Conway as Rufus & Kate "The Toothpaste Millionaire" (Talespinner Children's Theatre, 2024) |
WIXY 1260. On December 12, 1965, this AM station changed its call sign to WIXY, branding itself as WIXY 1260 (pronounced "Wicksy Twelve-Sixty"). WIXY soon began to dominate Top-40 radio in Cleveland, despite having a weaker signal than either WKYC (formerly KYW) or WHK. What an AM radio announcer sounded like in 1970.
"O-o-h Child" is a 1970 single, written by Stan Vincent, recorded by Chicago soul family group the Five Stairsteps and released on the Buddah label.
“It’s the Real Thing!” (Coca-Cola)
“Try It! You’ll Like It!” (Alka Seltzer)
“You Deserve a Break Today!” (McDonald’s)
Super 8mm (millimeter) film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
The Clean Water Act of 1972 is the primary federal law in the United States governing water pollution, and was signed into law by President Nixon.
1969 Cuyahoga River Fire. A June 22, 1969 river fire triggered by a spark from a passing rail car igniting an oil slick. It was not considered a major news story in the Cleveland media. However, the incident did soon garner the attention of Time magazine in an article on the pollution of America's waterways.
Right: Cuyahoga River in 1967
Walter Cronkite (November 4, 1916 – July 17, 2009) was an American broadcast journalist who served as anchorman for the CBS Evening News for 19 years, from 1962 to 1981. He was often cited as "the most trusted man in America."
The Lunar Roving Vehicle was a battery-powered four-wheeled rover used on the Moon during the last three missions of the American Apollo program (15, 16, and 17) during 1971 and 1972.
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone.
Stouffer's Inn on the Square (now Hotel Cleveland) is an historic hotel at the intersection of Superior Ave. at Public Square.
Saturday, June 8, 2024
Three Very English Plays
“This is great! The last time you took me to a musical, it was Always.”
That’s what my brother said as we reentered the hall at the Gillian Lynne Theatre for act two of Standing at the Sky’s Edge. And it’s true. Way back in 1997, when my wife and I were first visiting England together, I chose the first show, and it remains the worst British musical I’ve ever seen (and I’ve seen Diana.)
This is why I let my wife choose the shows. That way I can say I told you so, but I never have to say I told you so. She choose a lot of things because her track record is unimpeachable.
We saw three shows over four days during our brief stay in the UK. We had arrived via the Queen Mary 2, a transatlantic crossing to celebrate our silver anniversary, and spent some time in a canal boat Airbnb before flying home. The shows we saw were each uniquely British, and all exceeded expectations.
Friday we took the train to Maidstone, near Kent, to see the Russett Players production of A Bunch of Amateurs by Nick Newman and Ian Hislop. An “am dram” production, directed by my sister-in-law Brenda and featuring my brother Henrik, it was opening night for a two-day run (two shows on Saturday) and I was delighted how absolutely packed the hall was.
The play is about an arrogant Hollywood actor whose career is on the downslide who decides to brush up his resume with a classic credit, not realizing he has been roped into a production of King Lear at community theater in Stratford – but not that Stratford, England has a lot of Stratfords. It was a celebration of the form and high hilarity ensued.
Saturday, back in London, we attended a revival of People, Places and Things by Duncan Macmillan at Trafalgar Theatre, starring Denise Gough, Sinéad Cusack, Malachi Kirby and a strong ensemble of performers. A tale of addiction and recovery, it’s loud (and sometimes very loud) and frenetic, with swoops and turns and tricks which are disorienting for the audience as well as the protagonist, and a marathon for the lead performer, who was aggressive, vulnerable and deceptive.
But oh my, we loved Standing at the Sky’s Edge (book by Chris Bush, songs by Richard Hawley) at the Gillian Lynne Theatre. A musical which chronicles three generations at Park Hill, a brutalist housing estate in Sheffield, North Yorkshire. Taking place from 1960 to 2020, with each timeline thoughtfully threaded, we experience the decline of empire told from the vantage point of its most vulnerable subjects. It’s about class and race and gender and family and hope and despair and so much love. So so so much love.
That’s what my brother said as we reentered the hall at the Gillian Lynne Theatre for act two of Standing at the Sky’s Edge. And it’s true. Way back in 1997, when my wife and I were first visiting England together, I chose the first show, and it remains the worst British musical I’ve ever seen (and I’ve seen Diana.)
This is why I let my wife choose the shows. That way I can say I told you so, but I never have to say I told you so. She choose a lot of things because her track record is unimpeachable.
We saw three shows over four days during our brief stay in the UK. We had arrived via the Queen Mary 2, a transatlantic crossing to celebrate our silver anniversary, and spent some time in a canal boat Airbnb before flying home. The shows we saw were each uniquely British, and all exceeded expectations.
"People, Places & Things" (Trafalgar Theatre, 2024) |
The play is about an arrogant Hollywood actor whose career is on the downslide who decides to brush up his resume with a classic credit, not realizing he has been roped into a production of King Lear at community theater in Stratford – but not that Stratford, England has a lot of Stratfords. It was a celebration of the form and high hilarity ensued.
Saturday, back in London, we attended a revival of People, Places and Things by Duncan Macmillan at Trafalgar Theatre, starring Denise Gough, Sinéad Cusack, Malachi Kirby and a strong ensemble of performers. A tale of addiction and recovery, it’s loud (and sometimes very loud) and frenetic, with swoops and turns and tricks which are disorienting for the audience as well as the protagonist, and a marathon for the lead performer, who was aggressive, vulnerable and deceptive.
"Standing at the Sky's Edge" Gillian Lynne Theatre, 2024 |
The piece won the Olivier for Best Musical, 2023. It's a vast ensemble, impossible to point to one standout performance, the songs are gorgeous, the choreography is mesmerizing, but there’s no chance it will transfer to America. Its so entirely about England. Laughter in the crowd clued this Anglophile in on the many references I could not catch. But we bought the cast recording on CD and when was the last time we bought a CD?
Saturday, June 1, 2024
I Love the Bones of You: My Father and The Making of Me (book)
Aboard the Cunard Queen Mary 2, at the ship’s fore, there is a library. It is well stocked, a cozy room with many chairs and couches and plentiful views of the ocean. We spent much time there, and so did many others, the place was often full of people, reading.
The first book to catch my eye was Christopher Eccleston’s I Love the Bones of You: My Father and the Making of Me (2019). It is hard for the eye not to be caught by the sight of Eccleston’s face, or his name. Most Americans, if they know him, know him as an actor who often plays villains or other complicated people, or as the Ninth Doctor.
Of course, I had no idea he’d written a memoir, so I didn’t think twice, this would be my library loan for the week. And it’s like the opposite of a traditional memoir – his parents are loving and supportive. He’s a strong-minded actor, and one who plays intense characters, which has given him a reputation, but he’s so positive, about everything.
One thing I really enjoyed was how Eccleston really respects writers. Often, when involved in the production of a film or television series, he will base his performance on the writer. I love that.
The through line of his story is the love he holds for his father, and what it was like to lose him over a decade-long struggle with dementia. I lost my mother in two months. I do not know which is worse. I have wished to have had the chance to say good-bye better. Eccleston reassures me that just may not have been possible.
It’s quite a book. I had a fantasy about running into him in London, just so I could say thank you for this book you’ve written. That, and you’re my Doctor.
The first book to catch my eye was Christopher Eccleston’s I Love the Bones of You: My Father and the Making of Me (2019). It is hard for the eye not to be caught by the sight of Eccleston’s face, or his name. Most Americans, if they know him, know him as an actor who often plays villains or other complicated people, or as the Ninth Doctor.
Of course, I had no idea he’d written a memoir, so I didn’t think twice, this would be my library loan for the week. And it’s like the opposite of a traditional memoir – his parents are loving and supportive. He’s a strong-minded actor, and one who plays intense characters, which has given him a reputation, but he’s so positive, about everything.
One thing I really enjoyed was how Eccleston really respects writers. Often, when involved in the production of a film or television series, he will base his performance on the writer. I love that.
The through line of his story is the love he holds for his father, and what it was like to lose him over a decade-long struggle with dementia. I lost my mother in two months. I do not know which is worse. I have wished to have had the chance to say good-bye better. Eccleston reassures me that just may not have been possible.
It’s quite a book. I had a fantasy about running into him in London, just so I could say thank you for this book you’ve written. That, and you’re my Doctor.
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