Our Souls Did Touch | BorderLight 2026

Kiara Sylvie Durbin

I first saw Kierstan Kathleen Conway when played Kattrin in a local production of Mother Courage and Her Children. Kattrin is the daughter of the titular character, so traumatized by her wartime experiences she has been rendered voiceless. 

My wife and I were both so taken by Conway's performance and I strongly recommended the folks at Talespinner Children's Theatre ask her to audition for my new play, The Toothpaste Millionaire. 

It wasn't until after I had suggested she audition that I realized I had never heard her speak. No matter, she was just the right person to play Kate.

Conway is not only a talented actor, she is also a photographer, theater producer and playwright, and she wrote Our Souls Did Touch which was presented in the Grille at the Hermit Club. I don't know enough about the Hermit Club to know why they call it that, the paneling and baby grand piano more befits a space called the Parlor than the Grille, but it was ideal for this production.

Shows like this are like an elegant gift box, when a fringe production is assigned an unusual space which they subtly inhabit (I speak from experience). I can't even say whether Conway's team brought in a single piece of furniture, they didn't need to, it was all right there, down to the small piano lamp which narrator Truth Alice Taylor, channeling the spirit of Hedda Hopper, would use to briefly illuminate her space to provide context and innuendo.

Our Souls is a fictional piece inspired by the kind of sordid tales found in Kenneth Anger's Hollywood Babylon, though in this case "sordid" doesn't involve ugly details like Coke bottles or low overpasses but instead the lives of people in non-heteronormative relationships.

Complimenting the space, Conway created handwritten programs in the form of love letters, and designed a series of devastatingly stylish period looks. The playwright is also blessed with a classic face, even in her starlet character's most difficult moments, she looked as though she could be captured for a black and white still for Look. Her paramour, a journalist played by Kiara Sylvie Durbin, was styled in a number of Katherine Hepburnesque pants looks, each more confident than the one before.

This is what I am talking about. Big stories, big talent, small budget well spent, a dedication to the details. Well done.

BorderLight Theatre Festival at Playhouse Square, July 8-11, 2026

The Toothpaste Millionaire (production)

Kierstan Conway & Quincy Brame as
Kate & Rufus in "The Toothpaste Millionaire"
(Talespinner Children's Theatre, 2024)
Photo by Steve Wagner

Adolescence doesn’t need to be the worst time in a person’s life, but what a person goes through at that stage of development is exacerbated by our systems of education, which (often, though not always) sequesters kids who are eleven, twelve and thirteen years old on their own and all together. It was horrible for me, and it was horrible for my kids, in spite of our best efforts.

However, when working as an arts educator, whether it be in schools or extracurricular programming like summer theater camp, I like working with middle school aged students best. They respond to the work so powerfully, and it is because, as I see it, they are knowledgeable enough to delve deep into complicated concepts, but still young enough to want to play.

At the start of Jean Merrill’s book The Toothpaste Millionaire, the main characters, Rufus and Kate, are both entering sixth grade. My wife had asked why, if the play adaptation of the book that I was writing was intended for an elementary school audience, that the characters should be in middle school? And my answer was, because it is meant to be aspirational.

As Merrill said in a 2006 interview, “I hope (the book) inspires them to imagine themselves doing things like that. Just because they are kids, it doesn’t mean they can’t have good ideas.”

And after all, the audience for all those High School Musical movies and shows aren’t really high school students, right? Those are watched by the middle school students.

The first time I attended a run-through for the Talespinner Children’s Theatre production of my stage adaptation of The Toothpaste Millionaire, I was delighted by the sense of play that Ananias Dixon (Director) and Diwe Augustin-Glave (Assistant Director) brought to the proceedings. The kids, as written, are witty, and aware, but as performed, are excited and enthusiastic, and not jaded or snarky (as many TV tween characters can be). And so very playful! Which is the point, after all.

Quincy Brame as Rufus Mayflower
(Talespinner Children's Theatre, 2024)
Photo by Steve Wagner

When it came to adapting the book into a script, one of the things that really helped me was creating a calendar of events. The book was published in 1972, and needed to be set at that time. You could update Merrill's story to the 21st century, I suppose, but the world has changed so much in the past fifty years, media, technology, economics, the law, it would really be an entirely different story, and I wanted to tell this one.

Merrill’s plot is uncomplicated by personality conflicts, the kids – and their adult mentors – work together to make Rufus’s dream a reality. They set a goal, achieve it, and then set another, bigger goal, all within the span of two years, which in this version takes us from 1970 to 1972 not exactly an inconsequential period in American history, but what period is. And some of that history, which Merrill did not include – because to her, it was just the present – seep in around the edges of the play (see: references), but only to the extent that an adolescent might be aware of them.

I'm really happy with the design for this premiere production, featuring delightful period costumes by  Jaclyn Vogel (which includes Rufus's iconic blue sweater, mentioned on the very first page of the book), and a functional and colorful set designed by Ren Twardzik with projections by Josh Smith.   

Next Saturday, July 27 at 3:00 PM, The Toothpaste Millionaire will be performed as part of Family Day at the BorderLight Theater Festival in Playhouse Square. Last year I had a short, site-specific play produced at BorderLight, and it was so exciting to see all of the vibrant creativity going on in and around Playhouse Square for that long, summer weekend. This year BorderLight is featuring over fifty shows, and workshops, and the Family Day concept is a new addition. If you’ve got kids, come downtown to join in the fun!

The BorderLight Theatre Festival will take place July 24 – 27, 2024 in downtown Cleveland.

Nelia Rose Holley, Kierstan Kathleen Conway, Julia Boudiab
(Talespinner Children's Theatre, 2024)
Photo by Steve Wagner

Source: "The Toothpaste Millionaire, 35th Anniversary Edition" (Houghton Mifflin, 2006) 

The Toothpaste Millionaire (references)

One of the first questions I was asked when preparing to adapt Jean Merrill's The Toothpaste Millionaire into a play script was whether or not I would update the story to 2024. It hadn't even crossed my mind, and I think that was the right call. You could do it, but then it would be an entirely different story.

Instead, I treated this book from 1972 as a period piece, and not only that, a city-specific piece, the events that occur centered in the very real suburb of East Cleveland.

The kids from ZOOM

My adaptation includes allusions to people, places and things from that time, and before we entered rehearsal, I created this brief list of references, many of which are edited from Wikipedia entries.

Zoom (stylized as ZOOM) is a half-hour educational television program, created almost entirely by children, which aired on PBS originally from January 9, 1972, to February 10, 1978, with reruns being shown until September 12, 1980. It was originated and produced by WGBH-TV in Boston.

David Cassidy (April 12, 1950 – November 21, 2017) was an American actor and musician. He was best known for his role as Keith Partridge in the 1970s musical-sitcom The Partridge Family. This role catapulted Cassidy to teen idol status as a superstar pop singer of the 1970s.

Teen Beat was an American magazine geared towards teenaged readers, published 1967–c. 2007.

The Whole Earth Catalog was an American counterculture magazine and product catalog published several times a year between 1968 and 1972, and occasionally thereafter, until 1998. The editorial focus was on self-sufficiency, ecology, alternative education, "do it yourself" (DIY), and holism, and featured the slogan "access to tools".

The Morning Exchange is an American morning television program that aired on WEWS-TV (channel 5) in Cleveland, Ohio from 1972 to 1999. A highly rated and influential program, it was commonplace that on a typical day in the 1970s, over two-thirds of all television sets in the Cleveland market were tuned to The Morning Exchange.

Quincy Brame & Kierstan Conway
as Rufus & Kate
"The Toothpaste Millionaire"
(Talespinner Children's Theatre, 2024)

Monopoly is a multiplayer economics-themed board game. In the game, players roll two dice to move around the game board, buying and trading properties and developing them with houses and hotels. Players collect rent from their opponents and aim to drive them into bankruptcy.

WIXY 1260. On December 12, 1965, this AM station changed its call sign to WIXY, branding itself as WIXY 1260 (pronounced "Wicksy Twelve-Sixty"). WIXY soon began to dominate Top-40 radio in Cleveland, despite having a weaker signal than either WKYC (formerly KYW) or WHK. What an AM radio announcer sounded like in 1970.

"O-o-h Child" is a 1970 single, written by Stan Vincent, recorded by Chicago soul family group the Five Stairsteps and released on the Buddah label.

“It’s the Real Thing!” (Coca-Cola)
“Try It! You’ll Like It!” (Alka Seltzer)
“You Deserve a Break Today!” (McDonald’s)

Super 8mm (millimeter) film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.

The Clean Water Act of 1972 is the primary federal law in the United States governing water pollution, and was signed into law by President Nixon.

1969 Cuyahoga River Fire. A June 22, 1969 river fire triggered by a spark from a passing rail car igniting an oil slick. It was not considered a major news story in the Cleveland media. However, the incident did soon garner the attention of Time magazine in an article on the pollution of America's waterways.

Right: Cuyahoga River in 1967

Walter Cronkite (November 4, 1916 – July 17, 2009) was an American broadcast journalist who served as anchorman for the CBS Evening News for 19 years, from 1962 to 1981. He was often cited as "the most trusted man in America."

The Lunar Roving Vehicle was a battery-powered four-wheeled rover used on the Moon during the last three missions of the American Apollo program (15, 16, and 17) during 1971 and 1972.

"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone.

Stouffer's Inn on the Square (now Hotel Cleveland) is an historic hotel at the intersection of Superior Ave. at Public Square.

The Talespinner Children's Theatre production of "The Toothpaste Millionaire" by David Hansen, based on the book by Jean Merrill and directed by Ananias Dixon, will be produced as party of Family Day at the BorderLight Festival on Saturday, July 27 at 3:00 PM

The Toothpaste Millionaire (book)

The Toothpaste Millionaire by Jean Merrill was published in 1972, and it was a book I treasured when I was in elementary school. It is the story of an intrepid sixth grader from East Cleveland who creates and successfully markets a new brand of toothpaste.

I’ve always loved stories of independent young people making their own way through the world. Also, from a young age I was fascinated with making and selling things. Growing up, the corner counter in our kitchen had been transformed by me, so many times, into supermarkets, post offices, computer warehouses, medical centers, greeting card stores, that my parents and brothers just casually referred to that counter as my shop.

“Where should I set this stack of magazines?”

“Put them on Karl’s Shop.”

They used to call me Karl.

I saw the ABC After School Special adaptation of The Toothpaste Millionaire, maybe not when it first aired in 1974, but surely upon one of its many reruns, and that further inspired my interest in the original text.

Another thing that compelled me was the setting, East Cleveland. We Clevelanders do love it when people recognize and acknowledge our existence. Jean Merrill, who died in 2012, spent some of her early years living in the Cleveland area where her father was employed by Republic Steel. Most of her childhood, however, was lived in upstate New York.

Like a lot of folks, I think Merrill had heard of “East Cleveland” and assumed it was the name of a neighborhood on the east side of the city of Cleveland, and was unaware of the particular transformation that was taking place in the inner-ring suburb of East Cleveland just as she was writing this brief novel.

In any event, I have now written a stage adaptation of The Toothpaste Millionaire for Talespinner Children’s Theatre, and it absolutely takes place in East Cleveland, circa 1970. Last week we held the first official reading, and it was an evening of pure joy. Both then and also at a private reading I held late last year, it was delightful to hear a room of adults laugh from dialogue which was intended for an elementary school audience. I think anyone from the age of eight and up will be engaged, amused and inspired by the story of Rufus Mayflower and his friends when it hits the stage in May.

The Talespinner Children's Theatre production of "The Toothpaste Millionaire" by David Hansen, based on the book by Jean Merrill and directed by Ananias Dixon, will be produced as party of Family Day at the BorderLight Festival on Saturday, July 27 at 3:00 PM

Source: The Toothpaste Millionaire, 35th Anniversary Edition, Houghton Mifflin Co., 2006

This post was updated on February 6, 2024, and now includes information about Jean Merrill which was generously provided by her estate.

Twenty Twenty-Four

Thomas Whitely Cullinan
Promotional Photo for "Hamlet"
Bad Epitaph Theater Company, 1999
Photo: Anthony Gray

The next year will mark the twenty-five year anniversary of many important events. 1999 was (literally) another century ago, and at that time I was at once wrapped up in some of the most exciting adventures and also in therapy.

Numbers are arbitrary. However, I was very unsettled at the time about the impending millennium, and hey, I guess my fears were entirely justified. But at the time I was engaged in creating a new artistic endeavor, Bad Epitaph Theater Company, which debuted in April with a production I insisted on calling The Tragical History of Hamlet, Prince of Denmark. With the recent passing of Tom Cullinan, I have been thinking more about that production than I have for a very long time.

I was also engaged in another sense, engaged to be married! My wife and I celebrate out 25th wedding anniversary this summer, and unlike Bad Epitaph, which lasted five years in fits and starts (or my first marriage, which barely lasted two) our romantic partnership has survived, thrived, blossomed, borne fruit … what I’m saying is that we are very happy in our life together.

A quarter century ago I had written one produced play, and I produced it. But since then have written fifteen more new works than have received a full production. It has been three years since my last, Savory Taṇhā (yes, a live zoom production counts, thank you very much) and so I am very glad that in 2024, Talespinner Children’s Theatre will produce my new play script, The Toothpaste Millionaire.

Ralph Hoopes & Tierre Turner
"The Toothpaste Millionaire"
ABC Afterschool Special, 1974

This will be an adaptation of the book by Jean Merrill (The Pushcart War) about a twelve year-old entrepreneur from East Cleveland. This is my first authorized adaptation, my Agatha Christie works were taken from her books in the public domain.

Published in 1972, Toothpaste Millionaire was a book I loved as a kid, because it tells my favorite kind of story; one of creation, promotion, and success. These were the same feelings I had in 1999, as the director and also marketer for a new theater company, producing what was at that time heralded as the “greatest poem” of the second millennium.

Millionaire is aimed at the late elementary school audience, kids aspiring to adolescence, it’s also packed with practical applications of math, and it’s also a history play, subtly acknowledging the mood of the times, and the shifting demographics in one American community.

We look forward, we look back. We always do.

Source: “Hamlet Alone, A Celebration of Skepticism” by Helen Vendler, The New York Times, 4/18/1999

Talespinner Children's Theatre presents the world premiere of "The Toothpaste Millionaire" in May, 2024