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| Robert Alexander |
Shakespeare liked a good gangster film. Macbeth? Brutus? Hamlet? Gangsters. Okay, not Hamlet. But conspiracy to commit murder to gain power or maintain the order. What are the terrorists but what the big army calls the little army?
Alexander’s script takes its inspiration from “the Scottish play” reinterpreting it as a cross-generational Afrofuturist fever dream, in which Top Dollar and Lady Lava aspire to dominance in a poetic fantasy replete with vengeful ghosts, mysterious strangers and sex robots.
It's a trip, it's got a funky beat, and I can bug out to it.
Who should I read tomorrow?
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