This is really dark.
I have discovered that my own appreciation of Peanuts follows the same path as many others, loving it as a child (I had Peanuts bedsheets, among a million other related materials) with many collections of strips on my bookshelves which I could recite by heart, as well as a love of the animated cartoons, which began to suck when Vince Guaraldi died.
What does the music have to do with it, you ask? Good grief.
As I became an adolescent I found cartoons about kids to be silly, and moved onto Doonesbury, returning to Peanuts as an adult when I finally realized that arch, ironic, sometimes bleak humor Doonesbury could never have existed without Schulz making it possible. Because I got the strip on one level as a child, relating to it but not knowing why I related to it, and then really being destroyed by it as an adult.
Speaking of which, have you seen 3eanuts yet?
Charles Schulz's Peanuts comics often conceal the existential despair of their world with a closing joke at the characters' expense. With the last panel omitted, despair pervades all. - 3eanutsVery clever, great fun, and the reason it is funny is because its basic argument is true. Unlike parodist online cartoon experiments like Dysfunctional Family Circus or Garfield Minus Garfield, 3eanuts doesn't change the artists' work or even his original intention. It just exposes how the humor works, and how brilliant Schulz really was.
Sources:
Wikipedia
3eanuts
Moody Radio Cleveland



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