Showing posts with label WEWS. Show all posts
Showing posts with label WEWS. Show all posts

Saturday, September 10, 2022

Guerrilla Theater Company: Thirty Years On

Guerrillas in the Professor Street Theater
Now we are here. Now it is time. Now we have come to rule you.

Dusk in Tremont. A tortured dog, a coat hanger wrapped around the base of his matted, entangled tail, ran down Professor, yowling in pain, followed by two or three other mutts. 

The dog stopped every few yards to turn around to snap at the metal dragging the ground, an entirely useless attempt, the coat hanger whipping around with it. The other dogs yapped in delight and surprise, also trying to bite at the wire hanger.

The seven of us emerged from the building for which Torque and I had recently signed a lease, the building we would soon call the Professor Street Theatre. We were going to rehearse one of our new short plays outdoors. I was anxious.

“Let’s do it over there,” Torque said, gesturing down the street with a mallet, toward the steps of St. John Cantius. Torque was wearing a bass drum, Wee-Bear had a pair of cymbals.

“Uhm,” I said. “Okay.”

We walked over to the church. I stood at the top of the steps, with Torque and Wee-Bear a few steps below, flanking me. The others stood around, scattered here and there, on the sidewalk, in the street, like they would do if they were standing among the crowd at the corner of Euclid Heights Boulevard and Coventry, or the Yard as it was called. The way we were going to do, there, in a little over an hour.

Torque beat out one loud rhythm on his drum, Wee-Bear a different one on her cymbals. And I began our first ever play, calling out into the darkness.

The view from the steps of St. John Cantius was not a particularly interesting one. It faced a vacant lot. There was a huge, grassy lot between our building and the boarded up delicatessen on the corner, where there were once three other buildings. You could see where the buildings had been because the land sagged in the middle. None of us ever walked across this lot for fear of popping into the ground and never being seen again.

I was shouting at a vacant lot. An abandoned storefront. The empty street. A Tremonster, just out for a walk. I felt like an idiot, calling into the night air. And if I felt stupid here, how would I feel an hour later, in front of actual people, in Cleveland Heights?

Earlier that day we had sent faxes to all the major news outlets -- Channels 3, 5 and 8, as well as the daily newspaper, the Plain Dealer -- announcing that Guerrilla Theater Company would be staging a “Hit on Coventry” at 10:30 PM that night, Thursday, September 10, 1992.

We had never performed in public before. We were still creating the show which we planned to open in late October. No one knew who we were. This was the reason we were doing this stunt, to announce our arrival. So all would know our name. 

Steps of St. John Cantius at night.
When no one called the office number (the one we called the Guerrilla Connection) for more information, we called them.

WKYC couldn’t find the release, and didn’t know what we were talking about. Ditto WJW and the Plain Dealer.

The guy at WEWS, when we pressed him as to whether or not we would get covered, asked smartly, “Do you believe your little stunt would be of any interest to 10,000 people?” We were unable to convince him that it would.

Screw it. We traveled in two cars out to Coventry Village, a fifteen minute drive from Tremont, and began the assault.

Coventry Yard was bustling, the tables were full of folks enjoying coffee from Arabica. Guitars were being plucked. Beemer and Jelly Jam wandered in from Coventry Road, and moved among the throng, passing out cryptic little flyers with the Guerrilla Logo on it, and the number for the Guerrilla Connection.

We had two phone lines, one for regular office use, and a second, the Guerrilla Connection, with a funny answering machine message on it that we promised to change once a week to encourage people to call back.

Mammy and Retro approached from Euclid Heights Boulevard, passing out these same flyers. The four of them mingled amongst the folks sitting out in the Yard, enjoying the last of the late summer weather.

Torque, Wee-Bear and I waited in the car.

“Do you see any cameras or anything?”

“No.”

“Well, forget it, let’s just do this.”

We strode in lock-step, I at point, my long, black, cotton jacket whipping behind me. Torque and Wee-Bear were at my corners with their instruments. Once into the Yard, I hopped up onto the topmost step of the long cement bankment and turned to face the crowd.

There may have been fifty people spread out around the patio, chatting, playing hacky-sack. Standing up there, aware of what I was about to do, I felt very tall indeed, and far from everyone but dreadfully exposed. I felt vertiginous.

Before I could think too hard, however, Torque and Wee-Bear were in their places, just below me, as we had rehearsed, and beating out their rhythms very, very loud. I had expected such an arrival to create a great hush amidst the throng, but I was mistaken. They looked up in surprise, but their response was louder than the normal cacophony of a crowd of voices. Some laughed, some said “What the hell?” I waited not an instant.

“I am here,” I said, loudly. Now they got a little quiet.

“I am here!” I repeated, as though I had not gotten the response I wanted. There were giggles.

“So what?” someone called back.

“Who are you?” Mammy, sitting at a table, called back to me.

“Yeah, who the fuck are you?” someone else said.

“I have come to lead you!” I yelled.

“Why should we follow you?” Jelly Jam said, standing close by, looking up at me.

“Because I know what's good for you,” I said, pointing at him. By now no one was heckling, some still laughed, but they were listening. It was a show!

“You know what's good for us?” Beemer and Retro said together.

“I have a plan to end the bad times we are currently suffering and start anew the good times we all remember,” I said.

“Where have you been?” said all four crowd-member Guerrillas. Torque and Wee-Bear stood silently at attention below me.

“I have been living life as one of you, making mistakes, achieving great victories, and now I am here,” I said. “Now it is time. Now I have come to rule you.”

“I’ll vote for you!” someone called out.

“Tell us more!” said the Guerrillas. They were slowly stepping towards me, through the Yard.

“The people who rule you now don't care about you!” I shouted. “I care about you!”

“You care about us!” they cried in disbelief.

“The people who rule you don't know how to make things better! But I know how to make things better!”

“Make things better!” they wept.

“Yes! I can make things better! And I need your help!” I said.

“What can we do?”

“I need your support!”

“We support you!”

“I need your money!”

“Take our money!”

“I need your trust! I need your love!”

“We trust you! We love you!”

Anchorman Ted
“And …” I said, looking down at them all, my hands outstretched “... I need you to love each other!”

They all stopped in their tracks and looked at each other. The crowd of strangers in the Yard waited for what happened next.

“Kill him,” they all agreed. Torque, Wee-Bear and I looked shocked and scared.

“Kill him!” they yelled again, and lunged for us, but we had turned around and were sprinting through the shrubs and bushes that blocked the way behind us. We tore through the traffic across Euclid Hts. Boulevard as Jelly Jam, Mammy, Beemer and Retro took after us, shouting with hate.

Who knows what happened at the Yard, we were too full of the notion that maybe we were being pursued, that perhaps our actions were somehow illegal, which they weren’t, but that maybe cops would try to stop us or something.

In any case, we jumped in our cars, and took off, back to Tremont.

We were putting things away at the building when my fiancée called.

“Turn on Channel 5,” she said.

“What? Why?”

“No time!”

So we all gathered in the sitting room and switched on the TV, and there was Anchorman Ted.

“From the strange to the bizarre,” said Anchorman Ted, “Impromptu theater took on new meaning tonight in town when a group of actors paid a very unannounced visit to the Arabica coffee shop on Coventry!”

The image on the screen switched to that of Torque, Wee-Bear and myself, striding past the Centrum movie theater towards the Yard.

“Oh my God!” Wee-Bear said.

“Can you qualify how ‘unannounced’ something is?” Mammy asked.

Anchorman Ted continued, “Happened around 10:30 tonight, the performers rushed into the restaurant, surprising absolutely all the patrons there …”

“We didn’t go inside!” Beemer said, squinting.

“Say our name!” Torque said.

“... they put on a short performance, then they rushed out again.”

The image switched abruptly to our running away from the scene, Wee-Bear clanging her cymbals, all of us dodging traffic.

“They missed the performance,” I sighed.

“Now from what we’ve been told,” Ted said, “troupes of actors in New York City have been staging similar performances like this one. No harm done, really, but it certainly comes as a surprise to those who see it happen.”

“Similar performances like this one?” Mammy said.

“Say the name!” Torque said.

“I wonder how our cameraperson found out it was going to happen?” Ted asked as the picture switched back to three happy TV people on the set -- Ted, Don the Weatherman and their newest arrival, Evelyn.

“Because we sent you a fucking press release?” I said.

“He’s sharp,” said Evelyn, the new female anchor, and significantly younger than Ted or Don. “Maybe Don is going to surprise us with some nice weather this weekend,” she said, making the perfect segue.

“You haven’t been around long enough to know,” cried the ancient meteorologist (he was fifty-four). “Only on Coventry!”

“Is that right?” she asked, appropriately interested.

“Uh yes,” Ted added, with fatherly insight, “Home of the strange and the unusual for over three decades now.”

“Ha ha ha.”

“Heh heh heh.”

“Anyway!” Don said, facing camera two.

Click.

“They didn’t say our name.”

Friday, November 29, 2013

The Joy of Christmas

Don't smile.

People, all kinds of people, like to kvetch and moan about how much better things were in the past. Some undefined past, could mean twenty years ago, could mean fifty. But things were less troublesome, more gooder, you weren't being inconvenienced by the thought police and gas was cheaper.


Well, I don't know about all that. If you know me, you know I believe society is a continuum where fates and fortunes are rising for some and falling for others. Ask a member of the homosexual community if things are better for them now than they were fifty years ago.

One community, however, which is always being persecuted, because it is part of their charter, is the Christian community. And who can blame them, since Obama took God off our coins, and no one says the Pledge of Allegiance in our public schools anymore.


What I can say is this, The Joy of Christmas would probably not have been produced today. Fall, 1979 the choirs of Bay Presbyterian Church were asked to participate in a holiday Christmas special for WEWS (ABC) hosted by Eyewitness News anchor Ted Henry.

Anchorman 2 opens December 13.

The holiday set, with fake lampposts and artificial snow was set into one corner of a large room in the WEWS studios on Euclid Avenue. This one room also included the set for Eyewitness News in another corner, for Morning Exchange in yet another corner, with the much smaller set for the Ohio Lottery wedged between.

Mother tells me I joined the choir for that one year so I could be part of the broadcast, which I do not remember, but may be true. However, if I was hoping to "shine" on local television, that did not happen. While the producer kept asking us to put on a bright and cheery holiday smile for the camera, our choral director, Ernie Hisey, quietly warned all of us to do no such thing. The result is that I look a little pissed off.


The program was repeated a Christmas season or two, but was soon after shelved no doubt because of its strong religious content. This is a Christian celebration of Christmas, including Bible verses from the host, classical images of the birth of Christ, and a family sitting around to read the Bible to each other.

It is not true, however, that the big bad president has taken God off our money, he hasn't. It is also not true that kids no longer recite the pledge in public schools, they do, all across northeast Ohio for certain, because I see and hear them do it all the time as part of my job. The United States government, which is supposed to be religion-neutral, is not.

But a program like this may never again be created by a commercial television station, and for strictly commercial reasons. They aren't worried about offending anyone. They are worried about not pleasing everyone, which is quite different. They are worried about losing money, that same American money that still says "In God We Trust" on it.

Happy Black Friday.

Tuesday, October 25, 2011

Randall Park Mall

Benjamin bear looks for his girl Missy in Randall Park Mall.
"Cleveland Is A Warm, Fuzzy Place" (1977)
"There's going to be a transfer of power ... from the central city to the southeast part of Cleveland ... I believe that after today the forces that want to keep downtown Cleveland intact had better get on their horse and start riding real fast."
- Randall Park Mall Developer Ed DeBartolo, 1973
Two million square feet of shopping ecstasy, the Randall Park Mall opened to the public on August 11, 1976. At the time it was the largest indoor shopping mall in the world. The city of North Randall had a population of 1,500. Randall Mall Park employed 5,000.

Randall Park didn't have one, but FIVE department stores; Higbee's, The May Company, Sears, JC Penney, and the Joseph Horne Company. The place was so big, some stores had two locations, one on each floor! There were over 200 hundred stores in all. And it was stylish -- marble columns, real tile floors, beautiful ceilings and futuristic ramps and crossovers.

The joy was short-lived however. With two years, the Beachwood Mall opened, siphoning away well-heeled customers, and the place began losing any of its original luster before the end of the 1970s. The place was just so vast, and little thought had gone into long-term maintenance. Attending the movie theater (and using its bathrooms) required trips up and down many staircases, and the theater (and its bathrooms) were filthy and dysfunctional. By the mid-1980s the mall was considered downright dangerous, and suburban residents began to refer to it as Vandal Dark Mall ... "dark" because, you know, the lights were out in all the closed storefronts.

Randall Park Mall closed in 2009.


UPDATE: Found this PD op-ed piece celebrating the opening of Randall Park Mall from August 1976.

Sources:
Wikipedia
Outside Cleveland, Snapshots of Poverty’s Surge in the Suburbs New York Times, 10/25/2011
DeadMalls.com
NewsNet5.com
The Encyclopedia of Cleveland History

Monday, October 17, 2011

Channel 5 Eyewitness News


Catch 5.

UPDATE: After reading this post, brother Denny reminded me that we got our first color TV in 1976, and this promo was so exciting to watch! Today, as a lifelong audio-video engineer, he marvels at the time it must have taken to create this spot.

Thursday, April 28, 2011

Mister Jingeling

Max Ellis
Santa Claus is the man. You can't touch Santa. And since no one owns him, no one can corner the market on his business. Yes, Coca-Cola comes close to having a registered trademark on St. Nick, and good for them. But they can't tell you or anyone else what to do with him. And he can't sell cigarettes or booze. At least not anymore. At least not in America. 

Rankin and Bass did a decent job of adding ancillary characters, though all the best ones are from the original Rudolph special (Hermie, the Misfit Toys, the Abominable Snowmonster, et al.) And there's Heat Miser. After that it gets kind of pathetic. Baby New Year? Little Drummer Boy? Really? Do you have any of those ornaments on your tree?

Before I get too far afield, I am not talking about Christmas characters in general. I am not talking about Scrooge or Jesus, I mean people who are next to Santa.

This one's mine, and it is a treasure.
Now, how many American cities can say they have their own, personal assistant to Santa Claus? One - that's right, I said it, Cleveland, Ohio. Mr. Jingeling is the official "Keeper of the Keys" to the North Pole. He is the guy who carries all the keys, to every single lock in Santaland. And you know what they say, the more keys you have, the more important you are.

Jingeling received this position when Santa lost his own key to the Treasure House of Toys, and fashioned a new one for the Big Man. He was created by Chicagoan Frank Jacobi as a promotional event for Halle's Department Store in 1956. He began making appearances on Captain Penny, performed by local actor Max Ellis (seen at top.) For live appearances on the 7th floor of Halle's, he was portrayed by off-duty Cleveland police officer Tom Moviel, carrying real prison keys.

He is best known, however, as played by WEWS producer Earl Keyes (nice one, huh?) who took on the role in 1965 both on television and at Halle's, and kept the copyright to the character when Halle's went out of business in 1982. I saw him on TV during the holiday season's of my youth, providing bumpers to afternoon cartoons on Channel 43, shilling for Halle's.

Keyes died in 2000. But his legend lives on.

Wednesday, March 23, 2011

WEWS Channel 5


Elizabeth Taylor on "What's My Line?"
November 14, 1954

What's My Line? was a CBS program, which means this particular broadcast would have been seen in Cleveland on WEWS Channel 5, which was a CBS affiliate until 1955.

WEWS was Cleveland's first television station, only the 16th in the nation, and went on the air December 17, 1947. The calls letters come from the original owner, Edward Wyllis Scripps. WEWS was the flagship station of the Scripps-Howard Broadcasting Company, who headquarters were located behind the Sterling-Linder-Davis Department Store.


Sources:
YouTube
Encyclopedia of Cleveland History
Cleveland Classic Media