Tuesday, December 1, 2020

Red Hot + Blue (album)

Use your mentality. Wake up to reality.

Thirty years ago, on Saturday, December 1, 1990, the Red Hot + Blue special debuted on ABC. This was an hour-long collection of videos from the Cole Porter tribute album (of the same name) which was a major fundraiser for the Red Hot Organization, dedicated to fighting HIV/AIDS through music, pop culture and art. 
“Cole Porter was one of America’s greatest songwriters, and his music spoke about love and sex and experimentation with intelligence -- and that’s what you want when dealing with an AIDS benefit.” - Leigh Blake, "Red Hot" project co-director
It is difficult to communicate how controversial it was to discuss HIV/AIDS on television. It is shameful to think. This televised special of music videos of Cole Porter songs was aired at 10:00 PM on World AIDS Day, after a particularly disturbing episode of Twin Peaks in which Agent Cooper finally captures the murderer of Laura Palmer (no spoilers.)

The home video recording included the bumpers and intros to each music video that had been originally created for the broadcast, including Richard Gere's suggestion that people use condoms or not share needles, to prevent infection. These bits were cut at the last minute as a result of pressure, and fear, from the network, and replaced with inoffensive tributes to composer Cole Porter.


However, several of the videos that were broadcast were embedded with activist messaging, inlcuding Erasure's ACT UP inspired Too Darn Hot and  k.d. lang's devastating take on So In Love which includes imagery of one caring for her ill partner.

These covers sang to the pseudo-sophisticate in me. Several of them are faithful renditions of Cole Porter classics (Sinead O'Connor's You Do Something To Me, Lisa Stansfield's Down In the Depths, the aforemention k.d. lang track) as they emulate big band or cocktail lounge piano stylings.

The Thompson Twins Who Wants To Be a Millionaire? is an 80s pop throwback, but several tracks look to the future, original hip-hop singles which only use Porter titles for the hook or chorus. The plaintive piano breakdown at 2:27 on Neneh Cherry's I've Got You Under My Skin was a loop I sampled and used on several amateur audio projects as I diddled around with nascent computer sound programs. It even showed up in my design for The Gulf at Dobama's Night Kitchen, ten years later.


We played this album often, and the music reminds me of so much from an intense and fleeting moment in my (very) early adulthood; it was heard in shops in England during a university trip that December, and was part of our soundtrack during the winter run-up to the Persian Gulf War, my final quarter at school. The subject of the album itself was emotionally confusing, mournful and celebratory all at once.

I had one foot out the door, ready to graduate and head I did not know where.

And, of course, HIV is still with us. The COVID-19 epidemic has shown us - again - how social inequity, intolerance, and plain ignorance contribute to the human cost of any transmittable human infection. The theme for this year's World AIDS Day is “Global solidarity, shared responsibility."

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