Idris Goodwin |
Goodwin's play touches on the cultural divide of our age, from the vantage point of two brothers, one a convert to Islam, both talented, professional musicians. The plot (did-he-or-didn't-he) is very compelling. But I particularly was drawn to the older/younger sibling dynamics.
My wife doesn't believe in it, but I do. The insecurities of the younger sibling is real. I have also watched this play out with our own two children, the older driven, determined, and potentially judgmental. Like the younger brother in Bars, a talented classical musician in his own right, he is sensitive with the suggestion that his recent interest in jazz, which is his elder brother's purview.
The larger story addresses the misunderstandings which have and will continue to plague our nation, and our world. Americans define themselves by their enemies. When I was young, it was the Communists. the Soviet Union wasn't dead for a year before the initiation of the Persian Gulf War (1990-1991) and our pivot towards the Islamic world.
Interesting, yesterday I read a complete farce about terrorism, today something much more grounded and real. I love theater.
If there is one point of view present in this work with which I am certain I agree, it is that terrorists are made, and not born.
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