Showing posts with label LCCC. Show all posts
Showing posts with label LCCC. Show all posts

Friday, February 18, 2022

The Mysterious Affair at Styles (In Motion)

Before the proliferation of smart phones (after which time everyone became a cinematographer) capturing random moments on video was a bit more rudimentary. As I have been recalling the ten years since my play adaptation of The Mysterious Affair at Styles premiered, certain video "memories" have popped up on social media.


Tuesday, February 14, 2012
Opening Night
Alcazar Hotel, Cleveland Heights

Producer Daniel Hahn whipped out his flip-phone to record a record turnout for the Great Lakes Theater outreach tour (above). Over one hundred and twenty people attended opening night at the Alcazar Ballrooom. I promise, this is due to the enduring popularity of Agatha Christie, and not my reputation.

The first image is that of director Lisa Ortenzi, who did such a marvelous job getting this show on the road.
 

Thursday, March 1, 2012
Nordonia Hills Branch of the Akron Public Library

Ten years ago I had not yet acquired a smart phone, but I did have a laptop and used that to create this time-lapse document (above) of how our company of five brought in and put up the quite impressive and heavy set. 

Wednesday, February 15, 2012
Lorain County Community College

The second night of performance, Daniel brought his family camcorder and recorded the entire performance at LCCC. It's handheld, so of course it's a little shaky. In this clip, Captain Hastings bids farewell the his audience. Don't worry, no spoilers, and we do get to see the entire company emerge for curtain call.

Monday, February 17, 2020

On the Dark Side of Twilight: Lorain County Community College

Ten years ago, Great Lakes Theater produced my first outreach tour "On the Dark Side of Twilight."

Wednesday, February 17, 2010

Very good second night, at Lorain County Community College. We did have one drunk guy who answered his cellphone and took the call during one of my narrations, so I told him I would wait until he was done. What is this, TV?

However, the rest of the evening was just fabulous, and a real education. There were a number of folks, younger ones, who showed up because of the Morning Journal article on Sunday, and were out to see some vampires.

During the first arc, I was worried we may have lost them, but apparently the opposite was true. What do you expect, when you came for something Twilight related and instead we begin with a pithy riposte like "my intentions are all one might expect on such an occasion" (that's original Polidori)? You might be turned off.

However, the teens in attendance were rapt, thinking, "okay, this is new, but I'm with you." By the middle of the Dracula sequence, they were loosening up, and I think they understood there was some comedy involved.

So, by the fourth arc, we had them. Lots of positive feedback following the performance. One guy really liked the fight scenes (yay, Dusten!) and a girl asked ... well, I can't really say what she asked, without giving away some secrets. But Emily and I had an interestingly cryptic back-and-forth during the discussion. Honestly, Emily, you can say absolutely anything you want.
Özen Yula's Facebook status update, 2/17/2010: "On the Dark Side of Twilight" ı seyrettim. Çok basit bir dekoru vardı. Ama David Hansen'in teksti çok güzeldi. Polidori, Bram Stoker, Anne Rice, Stephenie Meyer'in vampir hikâyeleri bir parodi çerçevesinde birbirine eklenmiş. Postmodern kan içmeyen vampirlerle son buluyor ama o da ilk hikâyeye,200 yıl öncesine bağlanıyor. Bildik film sahneleri art arda dizilmiş. Aynı sözler ama bu defa gerçekten komik!
Translation:  I watched "On the Dark Side of Twilight". It had a very simple décor, but David Hansen's text was very beautiful. The vampire stories of Polidori, Bram Stoker, Anne Rice, and Stephenie Meyer are intertwined into a parody. 

It ends with postmodern, blood-free vampires, but it also ties into the first story from 200 years ago. Familiar movie scenes are represented; the same words, but this time it's really funny!

Thank you, Google Translate! Thank you, Özen! Komik!

Source: A Vampire stars in Lorain County: Great Lakes tours famous tales of (bloody) romance to Workshop, LCCC, elsewhere by Laura Kennelly, Morning Journal, 2/14/2010

Tuesday, April 28, 2015

Lorain County Community College Playwriting Contest (2015)

The Sisters Mourn
This evening, two award-winning Lorain County Community College student playwrights, their peers and members of their family gathered in the Cirigliano Stocker Arts Center Studio Theatre for a script-in-hand performance of their ten-minute plays.

Actors from the Great Lakes Theater school residency program and outreach tour performed The Party Guest by Billy Hopp and The Sisters Mourn by KHR Capizzi, which were the Second and First Place winners (respectively) for the 2015 Lorain County Community College Playwriting Contest.

The Party Guest
This event was the culmination of Dr. Daniel Cleary’s ENGL/THTR 168: Playwriting for Stage and Screen Course, incorporating themes from William Shakespeare’s The Tempest.

In The Party Guest, several close friends reveal deeply held secrets and celebrate new freedom after the arrival of an unannounced stranger. The Sisters Mourn details the effect their mother's death has on three sisters, and how their sorrow affects each differently. Each piece reflected themes of deception and loss present in Shakespeare’s timeless work.

Acting company with playwrights KHR Capizzi and Billy Hopp (seated in chairs)
GLT performers included Luke Brett, Chelsea Cannon, Roderick Cardwell, Katelyn Cornelius, Chenelle Bryant-Harris, Tim Keo, Shaun O'Neill, and Michael Silverstein. Special thanks to Jeremy K. Benjamin, LCCC Director of Theatre.

The LCCC Playwriting Contest is part of GLT’s Surround series of free events presented across Northeast Ohio. On Thursday, April 16, six ten-minute plays were read by student actors from Professor Dave Cotton’s Acting for Theater classes, and evaluated by Northeast Ohio playwrights Christopher Johnston, Margaret Lynch, Eric Schmiedl, Michael Oatman and myself, GLT Educational Outreach Associate David Hansen.


Lorain County Community College Playwriting Contest (2014)

Saturday, May 10, 2014

Lorain County Community College Playwriting Contest

Excited student playwright encourages excited acting troupe to take goofy selfie.
The evening we concluded the Love In Pieces project, I was floating, delighted with work well-done, executed with joy, talent and energy by an ensemble of colleagues and friends, both old and new. Most of all I was relieved and overcome by the satisfaction and praise of she whose opinion I was most concerned about - the playwright.

Desiring to share my happiness, I posted the following status update before attempting to actually go to bed:


However, not five minutes later, this response was posted:


What? Oh, yes! Not the playwright I was thinking of at that moment, but of course! People come and go so quickly here ... it wasn't barely more than twenty-four hours earlier I and a number of the same artists employed in Love In Pieces were participating in the annual Lorain County Community College Playwriting Contest, produced in collaboration with Great Lakes Theater.

Spontaneous Tom by Emily Buttita
Last year was my first curating this event, which another part of GLT's annual free, Surround programming. The outreach tour (e.g.: Seven Ages, Double Heart) is another. Truth be told, most of the hard work is done by our LCCC contact professor and their students, working for a semester on an original script. For some students this is their first experience writing a script, this year there were more than one teenagers who had advanced past high school and were already beginning their college experience at LCCC.

For our part, Great Lakes holds a competition in early April, a panel of judges evaluate the work and choose winners who receive a cash prize, and traditionally the first place winner gets a staged reading performed by actors from our residency program.

This year we had a new partner in Daniel Cleary, who did an awesome job in bringing out good work from his student writers. There were several readings in class and revisions before the competition, and our judges were impressed by the work. As the assignment was to create ten minute lays (or something close to it) we decided to stage the first and second place winners, for an evening which was still something less than an hour, even following a post-performance talkback with the awarded playwrights.

The Cracks In Our Foundations by Krista Price
Our acting company of five rehearsed for two hours prior to the performance, one hour per each fifteen-minute performance. You might think that is a lot of time, but it really isn't. What is required is to make what theater people like to call big choices, and by that I do not mean something like overacting, but starting out with something preconceived, and just going for it.

Walking through each piece, I would just stop the actors, give an opinion on what I thought was really happened, we'd go back a line or two and continue. Or I'd just say something that reinforced what was already going on, but make it more obvious. We had little set, few props, it was all about the words the students had written.

You walk into an empty space and hope that the process, that the afternoon and evening will be enjoyable. And the work moves smoothly, we had a record audience of over fifty - friends, family, fellow students - and each of these pieces were received very enthusiastically by the audience. They were each funny, but also affecting. They played even better than they read.

It is at times like this that I am (again) truly grateful for the professional company I keep. Young, enthusiastic, entirely "game" actors with little ego and a lot of focus. And on this night I also learned there are few things so joyful as learning a playwright - or two - is happy with the way you interpreted their work.

Complete information on the 2014 Lorain County Community College Playwriting Contest

Wednesday, February 13, 2013

Double Heart: The Alcazar

Happy company!

Double Heart (The Courtship of Beatrice and Benedick) opened at The Alcazar last night to a capacity crowd, there were over 100 people and not enough chairs to go around. Fortunately the grand ballroom has some comfortable window seats where the overflow crowd was able to find a good place to sit, while others were content to stand. Thank you, Cleveland Heights. You are my city.

Sigh no more.

Reaction from the opening night audience was very positive, we were called out for a second curtain call and I do not remember that happening at any tour I have participated in. While the audience at tonight's performance at Lorain County Community College was not as large as last year's, it was still a marked improvement in attendance over previous years. Word continues to build about these annual performances, and I guess the word is good!

Remember the page.

Both evenings there was at least once audience member who were outspoken enough to take issue with the actions of certain characters in the story, but I was looking forward to that and we have been able to turn them into some great, open discussions. On Tuesday night there was a question as to whether I (as playwright) wasn't belittling a tragic situation by having one of my characters behave selfishly. It was my position that creating a character who acts in his emotional self interest is not the same thing as endorsing that behavior.

Tonight one found it hard to believe that certain characters could enter into a Shakespearean comedy (Much Ado About Nothing) weighted with the kind of emotional baggage created in Double Heart. My question is, what was the capacity for forgiveness? Are there things that cannot be forgiven, ever? Can time, in fact, be a healer?


I mention these two examples because I like the criticism. But I also like all the praise which has been provided to the script. They like it, they like the poetry. You would imagine that trying to write a play in iambic pentameter, modeled on Shakespeare, would be considered presumptuous and arrogant, but mostly I think people are just impressed and enjoy the effort.

Tomorrow we have a private performance at a local high school. A Catholic high school. Very curious as to how all the dirty jokes are going to be received.

"Double Heart (The Courtship of Beatrice and Benedick)" is available from YouthPLAYS.

Thursday, February 16, 2012

Styles: Lorain County Community College


Second night, we learned what it was like to load and unload the van entirely on our own, and with a semblance of knowing what we are doing. Didn't take nearly as long as it did Tuesday night ... but it did take a while. Lucky for us,we were joined by LCCC students Mimi and Mariah, and Mariah's younger brother Nathan to assist. Assistance is always gratefully accepted, and as we are visiting a school this morning (not a public performance, sorry, you can't come) I fully intended to request a contingent of strapping, young Catholic boys to help mit all de schleppin.

Only the second performance, and for the second night in a row we have had record-busting attendance. In my seven-year experience we can expect a couple dozen, perhaps, students and other interested parties, last night there were perhaps eighty in attendance, which is near-capacity in a studio space which holds around one hundred. Students can, and often do, appear bored during plays or nod off to sleep before leaving right after and avoiding the talkback. Many, of course, simply pick up a program and leave before the show starts, having obtained proof of attendance for class the next day.

Last night a large number of people remained, and when Daniel asked for a show of hands for how many had already read Styles, an impressive number went up, far more than had the night before in Cleveland Heights. As I said, most were die-hard Christie fans, and I am relieved and pleased that those who have commented (to-date) have been extremely complimentary to the adaptation. One was so impressed by how I had "left nothing out" that I had to stop her and ask whether or not she missed Lawrence (a major character I have omitted.) She said she didn't even notice until halfway through the show, and that she didn't really mind.

Another great point of relief is how people have been responding to the relationship between Poirot and Hastings. If that fell flat ... well, they do spend an awful lot of time on stage together. That would have been disastrous. Early I was concerned whether all the banter about clues and theories would be too dry, but apparently I have included enough of the essential relationship, as created by Christie, that it all comes together.