Saturday, July 11, 2026

Blessed Unrest: A Fantasia on Martha Graham's Demons | BorderLight 2026

Anne J. McEvoy
Someone needs to write a book about Anne McEvoy. Many know her as a local theater actor and director. She has played most Cleveland area stages — and also her streets as a historic interpreter.

Did you also know she co-founded Nature's Bin in the 1970s, which was not only an important local food source but provided vocational training for those with developmental disabilities?

I first got to know Anne when we were both cast in You Can't Take It With You at Great Lakes Theater in 2005, and soon after we played together in The Dark Lady of the Sonnets for the GLT outreach tour.

She's originated roles in a few of my plays, including my adaptation of The Mysterious Affair at Styles, and during the quarantine she was a player in Savory Taṇhā for Cleveland Public Theatre. 

And with Women in History she has interpreted a slew a memorable characters, including Sarah Bernhardt, Elizabeth Cady Stanton, Abigail Adams, and Dorothy Fuldheim, among many others. She also performed the role of Mary, mother of Jesus, in Mamaí Theater Company's final production, The Testament of Mary by Colm Tóibín, a production marked by crowds of protestors lining the avenue currently occupied by the BorderLight Festival

William & Elizabeth
"The Dark Lady of the Sonnets"
(2006)
In Blessed Unrest: A Fantasia on Martha Graham's Demons (written by the performer, directed by Jamie Koeth) McEvoy embodies the legendary mother of modern dance as she grapples with the limitations of her physical self. The unapologetic anger she feels that can no longer dance, anger and resentment, but never self-pity.

Emily Kuntz makes two remarkable appearances, first as a memory of a young Graham, dancing in ponytail and black headband. Later, as a contemporary student, providing the septuagenarian Graham the opportunity to find a way back from despair.

It's a bravura performance from McEvoy, and one I hope finds a larger local audience some time soon.

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