Dee Perry and I producing the radio drama adaptation of"I Hate This" for Around Noon (2005)
This Friday, June 28, 2013 will be the final broadcast of WCPN 90.3 FM's award-winning, northeast Ohio arts and entertainment program, Around Noon. The good news is that Dee Perry and her crew are moving to the 2 PM time slot, Monday through Thursday, with a new program called The Sound of Applause.
I guess this is a thematic melding of WCPN and the PBS station WVIZ and that station's long-running arts show Applause, which has been hosted by Dee since the two stations merged into Ideastream in 2001.
Change can be good. And people can complain. I remember when WCPN made the radical switch from largely jazz programming to mostly news and talk in the mid-1990s, and what a fuss people made at that time. It was forward-thinking, however, and as much as I am sick of talk radio, the NPR programs broadcast on WCPN and locally produced shows like The Sound of Ideas do provide for moderation and common sense discourse which is unavailable elsewhere.
And then there was Around Noon. I remember when I was public relations director at Dobama Theatre, and were were first contacted by the program in early 1997. I mean, they contacted us, looking for stories and interviews, because this was going to be a daily, hour-long radio program about arts and culture in the region. Usually it was me, begging attention from the print media, which even then, with two weekly papers and a full-functioning daily, appeared to regard arts coverage as some kind of charity work.
Cleveland Historian John Vacha and I chat with Dee about "It Can't Happen Here" October 24, 2011
This was unique, this dedicated arts reporting, and it still is. It is a shame that in order to accommodate the new schedule they must drop their Friday shows (and for Ira Flatow of all people, I can't even listen to him) especially as they fall right before the weekend. But it's a gift, and in today's media climate, the people of greater Cleveland are lucky to have it.
Today is my wife and my fourteenth wedding anniversary (ivory, sweetheart, we'll skip the presents) but on our fifth anniversary (June 26, 2004) we joined 2,700 of our friends in getting naked in the shadow of the Steamship Mather for photo installation artist Spencer Tunick, and we worked with the folks at Around Noon to make an audio diary of the entire event. How cool is that?
Spencer Tunick: The Naked Truth
Best wishes to Dee and to the producers of The Sound of Applause, for many, many more years of excellence in arts reporting.
One week ago, Thursday, November 15, WVIZ ideastream aired a one-hour documentary chronicling the history of theaters built during the 1920s on the north side of Euclid Avenue. Today the district is known as PlayhouseSquare, but in the intervening time Cleveland went through its steep decline from sixth largest city in America to where we are today ... which is where, exactly, I don't know. But it's not the late 1960s, when these opulent play houses were in terrible disrepair and on the verge of being torn down to -- literally -- put up a parking lot.
Throughout this blog I have told short stories about Cleveland in the 1930s, 1950s and 1970s ... research for me, but also my own education of this saggy metropolis into whose orbit I was born, and where I continue to live and thrive today. Understanding where we are and where we are going requires a knowledge of where we have been, otherwise nothing makes any sense. It's also pretty interesting stuff.
Got an hour? Watch the video. There are moments I actually cried. I miss the past I never experienced, but I more thankful to be where we are today.
Me with Dorothy and Reuben Silver at the old WCPN studios.
The Velocity of Autumn is not the first opportunity I have had to work with Dorothy Silver. It's not even the first time we have performed a mother-son relationship. That would have been for the radio drama adaptation of my solo performance about my first-born, stillborn child, I Hate This (A Play Without the Baby).
The boy was born eleven years ago today, on the frigid first day of spring back in 2001. When I say that is a lifetime ago, I am not merely being hyperbolic. For my living children, it is more than a lifetime ago, and they have come to define so much of who I am. The next boy, the one who lived, was a couple months old when we began recording this show, in August 2005.
The first draft of I Hate This had emerged by August 2002, and was produced at CPT the following winter. I had already taken it to Minnesota and New York, and elsewhere, before I approached Dave DeOreo and the folks at WCPN Ideastream about making it an hour-long broadcast.
As a matter of fact, it was the other way around ... in 2004 Dave had worked with my wife and I to create an audio diary of the Spencer Tunick installation which was ridiculous. The event was on a Saturday morning, and we worked around the clock to have it done by Monday's broadcast of Around Noon. Still delirious from lack of sleep, the show in the can (as they say) Dave turned to me and asked, "What do we do next?" I already had a good idea.
Tom Weaver & Nick Koesters
In its original, natural form, I Hate This is a solo production, where I tell not only the experience of discovering that the child we were expecting was dead, and his birth, but also the year that followed and how we and the people in our life failed or succeeded to communicate. In telling the story, I play all the characters. For this production, it was decided to get actors to play all the other people. And I chose some of my favorite people to contribute, including Dorothy and her husband Reuben, Brian Pedaci, Nick Koesters, Nina Domingue, Ali Garrigan, Thomas Weaver, Magdalyn Donnelly, Scott Plate, Betsy Hogg, Sadie Grossman, and a cameo by Around Noon host Dee Perry.
The radio drama includes the original music created for the stage production by Dennis Yurich. DeOreo, Al Dahlhausen and I went around creating original ambient sound and sound effects for the show that weren't already part of Dennis' sound design, including right outside the old WCPN studios on Chester, and even in the Old Stone Church to create the right echo for "The Cloisters" scene.
The show was originally broadcast on Friday, November 25, 2005 -- the day after Thanksgiving -- on Around Noon. Here is a sample of the online feedback:
"Thanks to David for sharing his story, thanks for the many local talents whose voices brought it to life, and thanks to WCPN for bringing it to us."
"I'm just blown away. It's like the most powerful piece of radio I've heard in a long time. I'm just stunned."
"It really captured me - so brutally honest, so heartbreaking, so well done. I was in tears by the end, and I certainly will not forget it."
"This topic is often lost in the abortion rights cacophony. It is refreshing to hear the first-hand perspective instead of the polished up political rhetoric."
"Broadcasting it the day after Thanksgiving was significant; it made me think about the births of my own children and how easy it is to take things for granted."
"An encore presentation, please, and when?"
One unintended result of the radio drama was that it actually helped to heal a misunderstanding in my own family. I wrote the play when I was still pretty raw in my grief, and as a result some of the representations of character are merely those I was feeling about certain people at that time. My brother in England (played here by Scott Plate) receives about three lines of dialogue, and when my brother first read his part in it, in the script, he just couldn't finish it without the rest being colored by his reaction to those three lines.
One of my lines in Velocity is "Is that what you think of me?" I can dig it.
And so that hurt, and he let me know, and I respected that but I wouldn't apologize for it. And my brother was over there and I was over here, and he never had a chance to see the show.
However, he could listen. He may not have been able to do that, except his daughter, my niece, who was six during the events of the play, plays a special role in the production, and she wanted to hear it. So they listened, together. Hearing the entire story, from beginning to end (thank you, Internet) my brother finally understood what I was trying to say, and maybe even his place in it. And it was soon after the broadcast that we began to make arrangements for me to be able to perform the show, the way it was intended, for my brother and his family in London.
Appearance on 'Applause' (WVIZ)
This is part of the interview Ideastream produced to promote the March 20, 2006 re-broadcast, celebrating my son's fifth birthday and shortly before our first trip to England to present the show as a benefit for a prenatal bereavement organization in Battersea.
And so here we are, the first day of Spring, again. There will be a birthday celebration today, these days it's a lot less quiet than it used to be, with growing children, and activities and cake. It's an important family holiday here. Last night I had a great conversation with the kids, telling them stories about the days all three of them were born. Someday I am sure we will share this this recording with them, which might be easier for them than having to watch me perform the whole thing for them in the living room. But I'd do that, if they wanted me to. I would.
Awards
Ohio Society of Professional Journalists Awards (2006) Best Documentary - First Place: “I Hate This,” Dave DeOreo
WBEZ Third Coast International Audio Festival (Finalist, 2007)
