Showing posts with label Big Chuck and Lil' John (TV). Show all posts
Showing posts with label Big Chuck and Lil' John (TV). Show all posts

Monday, December 2, 2019

Lestrade's Lads

Steve Lewis (left) and Henrik Hansen
This photo was staged.
(Chronicle-Telegram)
When my brother was in middle school, he and eight of his colleagues formed a local chapter of the Baker Street Irregulars. Theirs was an officially recognized “scion society” of BSI, an international organization of Sherlock Holmes enthusiasts that has in its time included such notable members as Harry Truman, Neil Gaiman and Curtis “Booger” Armstrong.

This youthful Bay Village society called itself Lestrade's Lads, after the Scotland Yard inspector who often took credit for Holmes's achievements.

The BSI celebrates the birthday of “the Master” each January 6 with a gala in New York City. In 1978 the Lads were in eighth grade, and they were content to sit together at our house, listening to vinyl records of 1940s radio adaptations starring Basil Rathbone and Nigel Bruce, sharing trivia, and hoping Big Chuck and Lil’ John might play one of the films.

One of the more notable things about members of the BSI is their engagement in the game, or the belief that Holmes and Watson were not fictitious and that Arthur Conan Doyle was merely a literary agent for Dr. Watson. The “fun” part of this game is creating a realistic timeline and character biographies from Doyle’s fifty-six short stories and four canonical Holmes novels which can be wildly contradictory.

These mental exercises are beyond my ken, as I have never been a great follower of the character of Sherlock Holmes in any medium, beyond the recent incarnation as performed by Benedict Cumberbatch. Even then I only watched two seasons.

But having been assigned the responsibility of writing a new mystery for the character, I did not wish to stumble blindly into a chronology so richly mined. I hoped to create a pastiche, and not merely fanfic. A possible, brief adventure that could fit into the established narrative, and because I wanted him to have a young female companion, I needed Watson to be absent.

In 1962, William S. Baring-Gould published what has come to be regarded as the definitive “biography” of the world’s most famous detective, Sherlock Holmes of Baker Street. He writes:
Watson, in the winter of 1900-01 and the following spring, was much too busy writing his narrative of "The Hound of the Baskervilles" to share many cases with Holmes, but his narrative was in the hands of the publishers by May of 1901, and he was able to take part in a case destined to become a classic in the annals of criminology -- that of the Priory School.
And so, the adventure of Sherlock Holmes Meets the Bully of Baker Street takes place over the course of a couple of days in early spring, 1901. For good measure, I even sent Watson out of the country for a fortnight on a family matter.

Each of my brothers were in town for Thanksgiving. Henrik, a life-long Anglophile, has been living in England for over a quarter-century. Shortly before he departed this afternoon, we went through the few childhood belongings that remain in the attic of my mother’s home.

These include a massive, two-volume set The Annotated Sherlock Holmes, The Sherlock Holmes Scrapbook, magazines, photographs, paperbacks, and newspaper clippings, and the three-album set of radio dramas Lestrade’s Lads listened to more than forty years ago.



To be continued.

Sources:
Bay’s Baker Street Irregulars: Sherlock Holmes ‘never said all that’ by Cynthia Roberts, The Chronicle Telegram (1/1/1978)
The Baker Street Journal: An Index to an Irregular Quarterly of Sherlockiana (Vol. 20:1 - Vol. 43:4)
Sherlock Holmes of Baker Street, A Life of the World’s First Consulting Detective by William S. Baring-Gould (Bramhall House, 1962)

Friday, November 11, 2011

Hoolihan and Big Chuck

They always ended the show in their PJs.
Histories have been written about the preponderance of late-night movie programming that featured a terrible B-movie hosted by some kook in a costume. Cleveland’s Ghoulardi one-upped a lot of his national competitors with his regional digs, arch (one might say “meta”) humor, and his adventures into chroma key, placing himself into the movie, decades before MST3K.


Ghoulardi.

When Ernie “Ghoulardi” Anderson left Cleveland in 1966 to make his fortune as a voice-over artist in Los Angeles, one of his producers Chuck Schodowski and weather man Bob “Hoolihan” Wells took the slot. Now, instead of a dimly-lit studio haunted by a deranged beatnik who blew up things, we had two charming, rubber-faced twits creating hilarious and hilariously cheap comedy shorts to pad out the awful movies.


Now, local television has always been cheap. But reviewing segments from the Hoolihan and Big Chuck Show, you can understand how they inspired several generations of dorks from Northeast Ohio to pick up dad’s Super 8 camera and make silent, physical comedy, usually involving obvious costumes, wigs, mustaches, and a grand, goofy, visual punchline.

I am looking at you, Litz.

A keen interest in bizarre music was always a plus.


"Certain Ethnic Bankrobbers"
WARNING: Hideous gay stereotype.

In 1976, Hoolihan and Big Chuck aired at 11:30 PM on Friday nights, which was awesome because that meant we could stay up late and not worry about having to get up for church the next day.

This clip was filmed at the corner of Fleet and Klonowski, and once upon a time the Jolly Tee Cafe may have been on the corner of Aetna and East 76th street in Slavic Village:


Pure Cleveland.