Showing posts with label Lost Cleveland. Show all posts
Showing posts with label Lost Cleveland. Show all posts

Wednesday, November 9, 2011

Miller's Dining Room


The Miller family was on old Cleveland food family. The had a butter and egg stand at Central Market. Doris Miller had a degree in home economics from Mather College and had trained as a dietician at Stouffer's. After Central Market caught fire and burned down, she talked her parents into joining her in taking over the former "Kaase's" restaurant in Lakewood at 16707 Detroit Ave.

Miller's Dining Room opened in 1950. My memories are faint, and because we always went after church I think of it as some fancy place, but it was a family-style restaurant where the emphasis was home-cooked meals at a decent price. The table cloths were crisp and white, and they even had finger bowls!

Ask anyone about Miller's and they will tell you about the sticky buns. Servers circulated throughout the meal offering a selection of piping hot rolls to whoever wanted one. It was like dim sum for crackers. The sweet and chewy, caramel-swirled sticky buns were the most popular selection.

The "average costumer ate two." The child must have had three or four, or until someone told him to stop. This was important, because I also usually ordered the chicken a la king, chicken in gravy served in a crispy shredded potato basket.

After 40 years of business, Doris Miller Urbansky and her husband Tom sold the venture to the Thomas family, who kept the Miller name and style. Five years later, in 1995, Miller's Dining Room caught fire and burned down.

Doris Urbansky died in 2010.
Sticky Buns
originally served in Miller’s Dining Room
[makes approximately 30]

For the Sticky Buns:
4 1/2 cups all-purpose flour (regular white enriched flour; not bread flour)
2 packages active dry yeast
1/3 cup sugar
1 teaspoon salt
1 cup milk
1/2 cup cold water
1 1/3 cups butter
1 egg

For the Topping :
(to be put in each muffin cup)
1 to 2 teaspoons melted butter
1 tablespoon light brown sugar
1 dash cinnamon
For the Filling:
1/4 cup butter, melted
2 to 3 cups light brown sugar

In large mixing bowl, combine 2 cups flour, yeast, sugar and salt. Mix well.

In saucepan, heat milk, water and butter just until warm (between 120 and 130 degrees F). Add milk mixture to flour mixture. Add egg. Blend at low speed until moistened. Beat 3 minutes at medium speed. By hand, gradually stir in enough remaining flour to make soft dough.

Turn out onto well-floured board or pastry cloth and knead until smooth and elastic, about 3-5 minutes.

Place in well-greased bowl, turning to grease top. Cover with clean cloth toweling or waxed paper. Let rise in warm oven (turn oven to lowest setting for one minute, then turn off) for 15-20 minutes, or place in warm area of kitchen and let rise until doubled in size.

Prepare muffin tins by generously greasing each cup with butter, adding about 1 tablespoon of brown sugar to each cup. Set aside.

Amply flour clean toweling or pastry cloth. Roll dough out into rectangular shape no more than 12 inches wide and about 1-inch thick. Generously brush dough with melted butter. Sprinkle up to 1/2-inch brown sugar over top of butter.

Roll dough loosely as for jellyroll, pinching along the seam to secure filling. Cut into 1-inch slices and place in prepared cups.

Bake rolls in oven preheated to 400 degrees for about 10-15 minutes, or until golden brown. Let cool a minute, then remove rolls with fork. Spoon any remaining topping over the rolls.

*Recipe note: Miller’s secret was the type of brown sugar the restaurant used — C&H Pure Cane Golden Brown. You can buy it in bulk ($22 for 24, 1-pound boxes) by calling the company directly at 1-800-234-5708, but Domino brand is a good substitute.
Source:
Lakewood Sun Post
Cleveland Magazine
Cleveland Memory Project

Wednesday, October 26, 2011

Alhambra Theatre


The Alhambra was at 10403 Euclid at the corner East 105th Street. Built in just after the turn of the 20th century as a vaudeville house, legend has it the young Bob Hope was taken there by his parents when he was a boy. The young lad also hustled pool next door. In 1907 a church organ was installed, and they billed the place as "The House With the Organ." This was when the One-Oh-Five was called by some "Cleveland's Second Downtown."

As motion pictures took hold, the Alhambra became a movie palace. The place seated 1,100 in the mezzanine, with another 400 in the balcony.

The Hough and Glenville riots cemented the end of white Clevelanders relationship with the 105th Street district and it fell into steep economic decline. One black real estate developer, Winston E. Willis purchased a number of properties, opening small businesses to raise the level of opportunity in the neighborhood. However, the city took possession of property throughout the area by eminent domain to provide to the ever-expanding Cleveland Clinic.

1976

2011

Sources:
CinemaTreasures.org
Cleveland Historical.org
Cleveland Memory Project

Thursday, August 25, 2011

The LIT


The Poets' League of Greater Cleveland was founded in 1974, to raise awareness of Cleveland area poets, and to support their endeavors. By the 90s they had expanded to include efforts of all literary writers, and became The Poets' and Writers' League of Greater Cleveland.

Excuse me for being a snark at this point in history, but who was the literary genius who gave a thumbs-up to the unwieldy monicker Poets' and Writers' League of Greater Cleveland? In 2007 the name was changed to something with more a satisfying mouthfeel -- The LIT. Soon after, the (former) PWLGC journal Ohio Writer was relaunched as MUSE.

For the first few issues of MUSE, LIT director Judith Mansour commissioned artists to create striking cover graphics, and invited local writers to write an introductory essay inspired by this image. I was asked to create something to compliment the July 2008 cover.

The image featured above is The Field Trip (Ancient Offering) by Thomas Frontini.
"Thomas Frontini's oil paintings are based on the premise that no matter how we may change and advance technologically, human consciousness is stuck in instinctual traps. Since this sad fact dooms man to a never-ending cycle of repeating past mistakes, Frontini translates dreamlike visions into parables of warning." - Elenore Welles, ArtScene Monthly Digest
Yes, that's what I saw, though I wrote my piece before I did any research on the artist. I saw a beach, a panda, a bowl of artificial food product, and a blonde girl about my daughter's age holding a damaged doll. The assignment was due around Father's Day, and that was also an inspiration.

This is what I wrote:


Click to download a PDF.

After 37 years, due to "mounting financial obligations and a significant reduction in funding support from all sources," The LIT will dissolve, the responsibilities of its workshops programs and perhaps even MUSE to be assumed by the Cuyahoga County Public Library. More info in cleveland.com.